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Abonnenten, 12 folgen, 24 Beiträge - Sieh dir Instagram-Fotos und -Videos von Alaura Grey (@officialalauragrey) an. Apr 4, - This Pin was discovered by Christian Klinger. Discover (and save!) your own Pins on Pinterest. - Christian Klinger hat diesen Pin entdeckt. Entdecke (und sammle) deine eigenen Pins bei Pinterest. Personen mit dem Namen Alaura Grey aus San Francisco anzeigen. Tritt Facebook bei, um dich mit Alaura Grey und anderen Personen, die du kennen. Profile von Personen mit dem Namen Alaura Grey anzeigen. Tritt Facebook bei, um dich mit Alaura Grey und anderen Personen, die du kennen könntest, zu.

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@alejandrogonzalezt_photography. J. Alejandro Gonzalez Terrazas 4, followers · Alaura Grey · @officialalauragrey. Alaura Grey 8, followers. Darsteller: Sarah Jane · Reyna Mae · Kimmie Kaboom · CJ Woods · Jennica Lynn · Alaura Grey. Anbieter: Score. Laufzeit: 90 Minuten. Tod, restaurang-grilleriet.se Stadt Grey Ontario Canada Alaura Joy Devril von Stammbaum McJones Family Tree. Zusätzlich zum regulären Sprungdienst auf dem Truppenübungsplatz haben die Männer vom Einsatzteam der Kampfschwimmer aus Eckernförde in dieser Woche eine besonders fordernde Trainingsaufgabe zu erfüllen: einen Sprung im Taucheranzug und mit kompletter Ausrüstung Www.tamil sex video.com die Ostsee. You also have the option to opt-out of these cookies. In Self ruined orgasm. These cookies do not store any personal information. Wie wir uns fetzen! Unsere Wetterkameras Video of sex swing das gegenwärtige Wetter sowie die Bedingungen vor Ort. Nur etwa fünf Minuten dauert so ein Sprung New york straight men gavin 1. Free chat rooms no sign up first time Alaura Grey modeled, that babe met Harley Ann in the studio.

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I read the whole of it to her in one evening, stopping occasionally to compose myself. She and I went to see a beautiful theatrical production of it in Seattle when she was a girl, just as my mother and I had seen multiple wonderful versions of it at the American Conservatory Theater in San Francisco during my childhood.

Seeing A Christmas Carol has always meant far more to me than attending any production of The Nutcracker ever could. While still a young boy, Dickens was forced to leave school to work in a boot blacking factory.

There he spent his days pasting labels on bottles in hopes of making enough money to bail his father out of his debts.

Though Dickens later grew prosperous and world-renowned, he never forgot his time spent among the poor, the sick, the fearful and the abandoned.

It was during that visit to Manchester that he realized his greatest ability to influence and inform was not through political tracts and speeches but through his works of fiction.

In those early days of October , he devised the plot of A Christmas Carol. When he returned to his home in London, he worked in a fury to complete the story in time for Christmas publication, and just made it: it was published years ago today.

This makes sense: Kindness and concern for others are held as moral virtues in nearly every society and every major religion.

Prizing the attainment of admiration from others and believing in the innate primacy of your own happiness above the well-being of others leads to a deadening of empathy for and lack of awareness of the situations and needs of others.

Devaluing kindness and decency and elevating selfishness and disconnection from others has brought the United States and the United Kingdom to their current damaged and dangerous states.

Over this period, students grew less likely to feel concern for people less fortunate than themselves—and less bothered by seeing others treated unfairly.

Self-absorption and lack of ability to imagine the challenges that others face are what have led to a growing unwillingness to honor and support the social contract.

After decades of prosperity and expansion made possible by higher tax rates for corporations and for the wealthiest citizens of the U.

We face major infrastructure failures in U. The increase in me-first and me-only thinking has put all of us at greater economic, emotional and physical risk.

Such societies view others not as outsiders with values deserving of disdain, but as valued new compatriots from whom they can learn and with whom they can find common ground.

Happily, following through on that lofty goal actually brings greater happiness, prosperity , and longevity over all on both a personal and society level.

Such socially oriented thinking has been proven to increase happiness and satisfaction , and to raise the safety and prosperity of others within society.

The rest is just glitter and dust. But the power of the performance comes from the realization that, while the prostitute singing the song may no longer seem to care what he or she has to do to get by, that purported apathy comes after years of suffering and having experienced so much pain and loss that no longer caring almost seems like a blessing:.

When performed in the , and Sam Mendes-directed Broadway productions of Cabaret , the song is sung with great bravado by an actor in drag.

The person telling the story may not feel whole and complete anymore, but he does remember that once there was a heart beating within him that could care.

There is still a soul within that registers the loss. I can never be a person who does not care much, so when I sing the song, I must be a person who pretends not to care.

After singing the song so much this week, I got to thinking about some of the classic popular songs I love that are sung by or about prostitutes.

People often think of prostitutes as dirty, dangerous and jaded, but their profession exists to offer the promise of pleasure and escape from the pain of the world.

Their job is to sell a bit of themselves for a little while to people who are desperate to connect, to feel something deep and real, to feel cared for and soothed and satisfied for a sliver of time before they go back out into the freezing night, rushing to their homes, hoping to avoid being seen by those who would crush and destroy them for having the audacity to believe in whatever pleasure and happiness they can find or pretend to find in a dark and dirty world.

Guilt, shame and social ostracism are braided into the fiber of their lives; they exist to provide comfort and to satisfy elemental longings, but they are despised and punished for providing services that are both desperately sought after and deeply reviled.

Theirs is a jaded, bitter corner of the world of longing and desire, and that is what makes their songs and stories so dramatic and powerful a counterpoint to the light and airy songs we usually associate with love.

Drama comes from contrasts. In order for the spotlight to shimmer brightly, it must be surrounded by dark shadows to set it off.

I first saw the film version of the musical Cabaret when I was just nine. My outgoing mother liked to take me along with her as often as possible when she socialized, so despite the adult nature of the film, she and a friend brought me along to see Cabaret.

It cleverly incorporated stories within stories, and it was full of great Bob Fosse dance numbers and catchy, seemingly lighthearted nightclub songs that were invested with deeper, uglier meanings.

The songs reflected and expanded on the stories of the main characters and had scary parallels to the Nazi-inflicted horrors going on in the streets of Berlin just outside the doors of the cabaret.

The musical numbers by John Kander and Fred Ebb are perfectly attuned to the zeitgeist of s Berlin, and are gems in and of themselves.

They also expand on, deepen and enrich the power of the story in ways that few composers for musical theater ever achieve. The team of Kander and Ebb had a wonderful knack for drinking in the style and feel of the music of the past and then creating their own versions of those songs so that they felt completely authentic but were also entirely original.

John Kander has said that when he was preparing to compose the music for plays like Chicago which takes place in the s or Cabaret which is set in the s , he liked to immerse himself in the music of the time and listen to it so fully, deeply and constantly that it filled his brain.

He then put it aside completely for a while and let it marinate and stew, and then when he began to write, the influences and motifs of that time period would wend their ways into his songs naturally, so he could compose comfortably in a fashion that had gone out of style forty years before.

I saw a stage production of the show featuring Joel Grey the Tony- and Oscar-winning original Emcee over 25 years ago, but the song never stuck with me until I saw Alan Cumming sing it last June in full drag in the astounding revival of Cabaret that is currently finishing up its run at Studio When he stood at the microphone in his shimmering dress and heavy makeup, he was mesmerizing.

The costumes are ripped, the makeup is smeared, the voices are gritty and the desperate quality of the characters is more evident and affecting than in the prettier, cleaner film version and earlier stage productions.

In earlier productions of the show, Joel Grey held every eye and commanded attention with his strange, sexless, voyeuristic portrayal of the Emcee: he was an outsider laughing and smirking at the performers and the audience in a detached, amoral way.

The outsider Emcee of Joel Grey acted like a Greek chorus, pointing us at the depths of degradation others went to to shield their eyes from the ugliness of the outside world.

At first, as he stands in a dress and full makeup, the audience sometimes laughs at his outlandishness, thinking this is just another lark, a humorous way to remind us of the fluid and open sexuality of decadent pre-World-War-II Berliners.

But in short order, his rough voice tells us that his kisses mean nothing. His comforts can be bought as a way to keep shoes on his feet and food in his stomach, but they mean little more to him:.

There are many fine versions of this song; the Ella Fitzgerald and Billie Holiday versions are classics. My own favorite is the simple version recorded by Elvis Costello with nothing more than an acoustic guitar early in his career.

The song is sung to passersby as a come-on, much as flower sellers or strawberry sellers used to hawk their wares :. Love for sale, Appetizing young love for sale.

Who will buy? Who would like to sample my supply? Love for sale. The song was banned from the radio in the s, but it became a hit for multiple artists in the following two years nonetheless, and it has been recorded by scores of major singers in the decades since.

Even k. The faded, jaded quality deepens as the song progresses:. Let the poets pipe of love in their childish way, I know every type of love Better far than they.

Most of us know the driving, original version of the plaintive call by a lover to his streetwalker sweetheart to give up her career to be with him and him alone.

In it, Sting, accompanied only but his own spare, loose guitar playing, wails with so much more hopeless yearning than in the original song.

His pain is greater, and his angst is so thick it hangs in the air and echoes along with his desperate voice. The performance is a tour de force that still gives me chills.

Elvis Costello is not the only musician in his family who can sing despairingly of the shattered dreams and desperate acts of those who walk the streets for money.

I walk along the street of sorrow The boulevard of broken dreams Where gigolo and gigolette Can take a kiss without regret So they forget their broken dreams You laugh tonight and cry tomorrow When you behold your shattered schemes Gigolo and gigolette Wake up to find their eyes are wet With tears that tell of broken dreams.

Gigolos and gigolettes were considered just one step, if that, from prostitution. A gigolo is, by definition, a man who seeks the company and monetary support of wealthy people usually women who pay him for his charms.

This song is often sung with swelling passion and force, such as in the version by Tony Bennett , but I think the slow, melting version sung by crackle-voiced alto Diana Krall is the most haunting version of them all.

Its restraint is more inviting and much sexier than the bolder, brighter Tony Bennett version. As famed stripper Gypsy Rose Lee said, always leave your audience wanting more.

Many of the richest, deepest songs about love are the ones based on loss and longing. If you find yourself feeling scarred or let down by life and love, know this: you are not alone, and the pain of lost love will heal.

Acts of loving kindness set in motion by good-hearted people reverberate through time; they are carried in the hearts of the people whom we touch with our love and our music long after we ourselves are gone.

Icicles, those shimmering, elemental, diamond-like structures, may be nothing but water, but they can turn deadly in the right circumstances.

You hear the cracking of tree limbs weighed down by their icy shrouds, the lowing of frightened animals in the barn, and your mind turns to the stories your grandmother told you about the spirits of the forest, the demons, the maleficent influence of the long dark nights, the wild animals, the errant hunters.

This is the sound of Värttinä. Over thirty years ago Finnish sisters Sari and Mari Kaasinen took their love of Finnish and Karelian southeastern Finnish folklore and decided to add music to their recitations of poetry and epic stories.

Yet there is an intense and dramatic quality to their music, and their precision and power bring joy to what could otherwise be a jarring, even disturbing sound.

Finland had an ancient tradition of oral storytelling and poetry, but it was overshadowed by the rise of European-style rhymed written poetry around the 18th century.

The poem, first published in , is the national epic of Karelia and Finland. The region spent ages under the thumb of Swedish and later Russian domination, and the compilation of stories into the Kalevala made it easier for Finns to share and treasure their history.

I was captivated by the complexity of the rhythms, the unexpectedly bold and dissonant yet beautiful voices, and the joy of hearing rapid-fire Finnish, which was the first language of my beloved grandmother.

She had sung to me in Finnish when I was a little girl, and I played and sang Finnish folk songs to her at the piano during my teens, though those songs were nothing like the wild, animalistic, galloping folksongs of Värttinä.

But there is also an indomitable spirit to be witnessed and savored in their arts, and a powerful desire to face down death in order to reaffirm the life force.

Värttinä adds a strong feminist element to this desire to acknowledge but laugh in the face of death. Many who could gather together enough money to leave came to America, resulting in nearly a million poor Irish immigrants arriving on American shores during the famine years alone.

This caused an upswelling of nativist hatred, bigotry and violence toward the Irish that took decades to abate. Russia is developing smart rockets that could send nuclear warheads to the U.

Recent reports say that Putin already has the ability to shut down parts of our power grid. We now have evidence that Russia infiltrated U. The U. Russia is already at war with us.

And our Republican leadership is actively aiding the enemy. We are woefully unprepared for what is coming.

Fear has led too many to support a sociopathic authoritarian president who purposely confuses and stokes mass hatred.

Our system was not built for a mass breakdown in faith or for takeover by a party that actively subverts the rule of law.

I often fear that we may not rally enough to recover, short of civil war and invasion by foreign oppressors that might inspire us to fight back. But the invasion is underway, and all we have to show in response is Speaker of the House Nancy Pelosi biding her time and Democratic candidates saying nice words while the president and his cronies dismantle our nation.

Those who run this country in our names make sure that children are left abandoned in the streets or tortured in cages , ripped away from parents, forced to live in filth, then made to disappear.

Trump writes love letters to murdering dictators and alienates all of our major allies. He fires heads of major government agencies and never replaces them in a dictatorial move to centralize all power under himself.

He is spitting on the Constitution, on the values of equality and respect for diversity that we hold dear, and on everyone who has sacrificed to build this nation, safeguard it , and uphold its laws and ideals.

Our country is convulsing, and we wring our hands but deny it the care it needs to survive. We are in an undeclared state of emergency.

We must remove Trump from power as fast as is constitutionally possible. Laura Laine, 27, poses in her British Airways uniform before she quit as a hostess to become a webcam porn star.

A British Airways stewardess has quit her job to become a webcam porn star, MailOnline can reveal. Laura Laine has given her trolley duties the push and now strips off for an adult internet channel.

Laura Laine performs for Studio 66 TV, a Babestation-style live strip show in which viewers can call in and speak to the girls.

Ms Laine, 27, was part of BA's mixed fleet for around a year. She was with the airline for two years and graduated as full member of air crew last June.

She was based at Heathrow Airport working on both long and short-haul flights. However she found the constant travelling too tiring and in February made her debut on Studio 66 TV, whose studios are in Chiswick, west London.

Gone are the conservative BA uniforms and instead she now cavorts around in slinky lingerie and other skimpy outfits.

A former colleague of Laura's at BA told MailOnline: 'I'm not surprised that she's gone into this line of work because it's what she's always been interested in doing.

Ms Laine has given her trolley duties the push and now strips off for an adult internet channel called Studio 66, which has studios in Chiswick, west London.

She'd do it whenever she had some free time wherever she was in the world. But the hostess pictured moaned on social media that constant flying was 'too tiring'.

She also strips for another website called My FreeCams. When contacted, Ms Laine declined to make any comment on leaving BA for her new career in the adult industry.

However, just before her Studio 66 TV debut, she tweeted: 'When I was just a webcam model I felt so stress free, just working on my own pace and living comfortably.

And last month, having made her big breakthrough, she tweeted: 'I feel very lucky I have the best and most open minded family and friends.

Stigma is still an issue in sexwork. A friend said: 'She's very open with what she does and she loves the attention. British Airways said she does not work for them - but refused to confirm whether she was ever in their employment.

However a series of images show her wearing a BA uniform posing with other stewardesses. Back to being a full time model I think.

In the national airliner carried out an investigation into a video which appeared to show two women wearing BA uniforms washing each other in a bath tub.

The eight-minute video was filmed in a hotel room during what was claimed to be a layover between flights. BA said they had no evidence the two women were or had ever been employees.

Argos AO. Share or comment on this article: British Airways hostess quits job to be webcam porn star e-mail 6k.

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Alaura Grey Video

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